I don’t like your irony; analysis of Nekrasov’s poem according to plan

1. History of creation. N. Nekrasov dedicated the work “I Don’t Like Your Irony” (1850) to his common-law wife, A. Panaeva. Probably due to its deep intimacy, the poem was published only in 1855 (Sovremennik magazine).

2. Genre of the poem- love lyrics.

3. Main theme works - the inevitable fading of love feelings. Nekrasov lived with his beloved and her legal husband, Ivan Panaev. This strange “love triangle” endlessly surprised and shocked St. Petersburg society. They openly laughed at the poet. Nekrasov had a hard time experiencing his uncertain situation. He understood that in this form the relationship with Panaeva could not be strong.

The poet often had fits of furious jealousy, which led to quarrels and scandals. Panaeva treated Nekrasov’s torment with irony, as stated in the very title of the poem. The poet pleadingly urges his beloved not to forget about her past passion (“who loved so dearly”). For him, the memory of a happy past remains the key to continuing the relationship.

Nekrasov feels that all is not lost. The beloved behaves “shyly and tenderly”, as if on the very first date. The soul of the poet himself is filled with “jealous anxieties and dreams.” At the same time, the author understands that very soon the strange couple will still have to separate. His only request to his beloved is to delay the “inevitable denouement” for as long as possible.

The lyrical hero compares fading love with “the last thirst.” Behind the violent manifestation of sensual passion there are hidden “secret coldness and melancholy” in the hearts. The poet uses an even more vivid image - an autumn stormy river with icy water.

4. Poem composition consistent.

5. Size of the product- iambic pentameter with broken rhythm. The rhyme is mixed: circular, cross and adjacent.

6. Expressive means . Suffering lyrical hero are emphasized by negative epithets: “jealous”, “inevitable”, “last”. They are contrasted with epithets in the form of adverbs: “hot”, “shy and tender”. The entire work as a whole is built on the opposition: “those who have lived and those who have not lived” - “those who loved”, “dreams” - “denouement”, “more stormy than a river” - “colder... waves”.

Significant emotional tension is contained in metaphors (“boil... anxieties and dreams”, “last thirst”) and comparison of love with a stormy river. The first two stanzas represent the direct appeal of the lyrical hero to the woman he loves (“leave her,” “you wish”).

The deeply personal nature of this address is enhanced by exclamations. In the last stanza, the author resigns himself to the future “inevitable denouement.” Pleas are replaced by sad summing up. The ellipses resemble forced pauses between the sobs of the lyrical hero.

7. Main idea poems - love, unfortunately, is not eternal. Even the strongest passion will cool over the years. Anticipating separation, lovers should take advantage of every minute of the gradually burning out feeling.

Poem by N.A. Nekrasova “I don’t like your irony...” refers to the so-called Panaev cycle, the poems of which are inspired by the relationship with V.Ya Panaeva and form a single lyrical diary, reflecting all the shades of the lyrical hero’s feelings.

The poem refers to love lyrics and reflects the moment inner life a person, his experiences, therefore there is no detailed description of events that have a beginning and ending, complex interaction of characters, plot motivation, therefore the poem begins without any “overture”:

I don't like your irony

Leave it obsolete and not living,

And you and I, who loved so dearly,

Still retaining the remainder of the feeling -

Still shy and tender

Do you want to extend the date?

While rebelliousness is still boiling inside me

Jealous worries and dreams -

Don't rush the inevitable outcome.

The second stanza is very emotional. Anaphora contributes to this. The repetition of the word “yet” at the beginning of two lines receives a significant emotional load and enhances the parallelism of the structure of each sentence and its expressiveness.

In the last stanza - the culminating one - the lyrical hero evaluates the relationship with his beloved woman as a fading “boiling” dictated only by the “last thirst”, and in the heart there is actually “secret coldness and melancholy” ... "

So in autumn the river is more turbulent,

But the raging waves are colder...

The poem “I don’t like your irony...” truthfully and accurately conveys the complex process of mental life, hence the intense drama of the lyrical confession.

We, readers, know Nekrasov more as a singer people's suffering, as a poet who dedicated the “lyre” to “his people.” In the analyzed poem, he appears from a completely different perspective, very unexpected, and this once again confirms that Nekrasov’s poetry is firmly connected with the classical tradition, and in the words of literary critic V.V. Zhdanov, she “inherited Pushkin’s clarity of expression of thought, and sometimes Pushkin’s style.”

I don't like your irony.
Leave it obsolete and not living,
And you and I, who loved so dearly,
Still retaining the remnant of feeling, -
It’s too early for us to indulge in it!

Still shy and tender
Do you want to extend the date?
While rebelliousness is still boiling inside me
Jealous worries and dreams -
Don't rush the inevitable outcome!

And without that she is not far away:
We are boiling more intensely, full of the last thirst,
But there is a secret coldness and melancholy in the heart...
So in autumn the river is more turbulent,
But the raging waves are colder...

Analysis of Nekrasov’s poem “I don’t like your irony...”

In 1842, Nikolai Nekrasov met Avdotya Panaeva, the wife of the writer, in whose house writers often gathered. This woman, possessing not only a gift for journalism, but also an outstanding appearance, literally captivated the aspiring poet. However, many regulars of the literary salon fell victim to Panaeva’s charms, but only Nekrasov reciprocated.

This romance lasted for almost 20 years, bringing a lot of suffering not only to the lovers, but also to Panaeva’s husband. He was forced to become not only a participant in a love triangle, but also lived under the same roof with his wife and her chosen one. However, after the death of the child who was born to Panaeva from Nekrasov in 1849, the relationship between the lovers began to cool.

In 1850, realizing that a breakup was inevitable, Nekrasov created the poem “I don’t like your irony...”, dedicated to the relationship with his chosen one. He notes that he once had very tender feelings for this woman, who was no less deeply in love with the poet. However, time can not only smooth out hatred, but also destroy love. This is exactly what, according to Nekrasov, happened after the baby’s death, as if some invisible thread connecting two people had broken. The poet realizes that love has not yet completely faded away, noting: “You still shyly and tenderly want to extend the date.” But all the signs of the upcoming separation have already manifested themselves, and the author understands that no one can turn back time. He asks his chosen one only one thing: “Don’t rush the inevitable outcome!”

There is no doubt that it will come soon, although Nekrasov notes that both of them are still “full of the last thirst.” But the irony of the beloved, who the poet dislikes so much, indicates better than any words that this novel will very soon end in separation, because “a secret coldness and melancholy” settled in the heart after the death of his son.

True, Nikolai Nekrasov tried with all his might to save this controversial union, so it broke up only in the early 60s. Moreover, this happened contrary to the expectations of the poet, who hoped that the death of Panaeva’s husband would force her to reconsider her views on her relationship with the poet. However, this woman did not connect her future life with Nekrasov, deciding to remain free and no longer enter into the marriage that the poet was counting on. As a result, the couple separated, which was predicted by the author, who deep down hoped that Panaeva would still marry him.

“I don’t like your irony” Nekrasov

“I don’t like your irony” analysis of the work - theme, idea, genre, plot, composition, characters, issues and other issues are discussed in this article.

History of creation

The poem “I don’t like your irony” was written by Nekrasov, presumably in 1850, published in the Sovremennik magazine No. 11 for 1855. It is included in the collection of poems of 1856.

The poem is addressed to Avdotya Panaeva, with whom Nekrasov was in love. Their romance, which began in 1846 and lasted almost two decades, never ended in legal marriage. In this sense, the poem “I don’t like your irony” is prophetic.

Avdotya Panaeva was the wife of Nekrasov’s friend Ivan Panaev, with whom they revived Sovremennik together. Since 1847, the trio lived together; Nekrasov, with the consent of the flighty Ivan, became Panaeva’s common-law husband. Both were burdened by this connection, although they loved each other.

The relationship between Nekrasov and Panaeva was uneven. There were stormy showdowns and temporary cooling towards each other. This is what the poem is about.

Literary direction, genre

The poem “I don’t like your irony” refers to intimate lyrics and is part of the so-called “Panaev cycle.” It tells the story of the development of love relationships, realistically explaining the internal reasons for external changes in communication.

Theme, main idea and composition

The theme of the poem is the development of love relationships, the fading and cooling of feelings.

Main idea: only love is real life, therefore, love must be protected, you need to take care of its preservation, noticing the first signs of extinction.

The poem is an appeal to a beloved. The reason for the appeal was the mockery, the irony of the beloved towards the lyrical hero.

In the first stanza, the lyrical hero admits that his feelings are fading away, that the once ardent love is only warming in his heart. Irony, from the point of view of the lyrical hero, is characteristic of “those who have become obsolete and who have not lived,” that is, those who did not love at all or no longer love.

In the second stanza, the lyrical hero describes the current state of the relationship: the woman shyly and tenderly wants to extend the date, in the heart of the lyrical hero “jealous anxieties and dreams are boiling.” But love fades away, which is conveyed by the words “for now.” The last line of the second stanza calls the extinction of love an inevitable denouement.

In the last stanza, the lyrical hero no longer harbors illusions, does not hope to continue the relationship, which he calls for in the first two stanzas, using exclamation sentences. Scandals and conflicts are a sign of the end of a relationship, when there is already “secret coldness and melancholy” in the heart.

Paths and images

The poem is based on the opposition of cold and hot, boiling and icing. Love is like a boiling, stormy stream, which is described using metaphors: those who loved dearly, jealous anxieties and dreams are boiling, boiling more intensely, full of the last thirst. Feelings are opposed secret cold and melancholy hearts (metaphor of indifference).

Nekrasov compares the feelings preceding cooling to a river, which bubbles more strongly in the fall, although it becomes colder. Thus, the strength of feelings (storminess) is not equivalent for the lyrical hero to their quality (warmth or coldness). The river will boil and freeze, and so will love.

The poem has a complete thought even without the last two lines, which are preceded by an ellipsis. Comparing feelings with a stormy river is the last argument that the lyrical hero gives in order to achieve understanding of his beloved.

Epithets are of great importance in the poem. All of them are negatively colored: jealous anxieties and dreams, final thirst, inevitable denouement, secret cold. They are contrasted with adverbial epithets with a positive connotation: passionately loved, wished shyly and tenderly, seething rebelliously. The lyrical hero perceives the actions of the heroes as a manifestation of love, but state ( anxiety, thirst, denouement) considers them deprived of the desired feeling. This is how the idea of ​​a poem works on a linguistic level.

Meter and rhyme

The poem has an unusual rhythmic organization and rhyme pattern. The meter is defined as iambic pentameter, but there are so many pyrrhichs that the rhythm gets confused, like a person who cannot even out his breathing from excitement. This effect is facilitated by the shortened last line in the first stanza.

Each stanza consists of 5 lines, the rhyme pattern in each stanza is different. In the first stanza it is circular, in the second it is cross, in the third the cross alternates with the adjacent one. This disorder corresponds to the internal rebellion of the lyrical hero. Masculine rhyme alternates with the female one also disorderly due to different rhymes.

Nekrasov's works are very diverse. It is interesting to teach them to children in the classroom during a literature lesson. He devoted many of his poems to the theme of the difficult fate of peasants, however, in his work there was also a place for love literature. The text of Nekrasov’s poem “I don’t like your irony” is dedicated to meeting Avdotya Panayeva, a married woman who had an attractive appearance. A romance broke out between Avdotya Panaeva and Nekrasov, which lasted about 20 years. This novel brought a lot of suffering to all participants in the love triangle, however, Panaeva’s husband had to experience the most mental suffering. And only when the child born from Panaeva’s relationship with Nekrasov died, the romance gradually began to subside.

When it became obvious that the relationship would finally fall apart, Nekrasov came up with a poem, which he completely dedicated to his chosen one and his relationship with her. The woman loved the poet very much, and the feeling was mutual. The poet hoped for a marriage with Panaeva after the death of her husband. However, having become free, the woman did not commit herself to a new marriage with Nekrasov. After the death of the child, it was as if a thread had broken between the lovers, while love was still alive. But the poet feels that a break with his beloved is inevitable. In order to feel the full depth of spiritual melancholy, you need to read the poem “I don’t like your irony” by Nikolai Alekseevich Nekrasov. You can download it online on our website.

I don't like your irony.
Leave it obsolete and not living,
And you and I, who loved so dearly,
Still retaining the remainder of the feeling, -
It’s too early for us to indulge in it!

Still shy and tender
Do you want to extend the date?
While rebelliousness is still boiling inside me
Jealous worries and dreams -
Don't rush the inevitable outcome!

And without that she is not far away:
We are boiling more intensely, full of the last thirst,
But there is a secret coldness and melancholy in the heart...
So in autumn the river is more turbulent,
But the raging waves are colder...